Violin Copy Of Antonius Stradivarius Made In Czecho - Bookshelf
Available for the first time in English, this book has been considered the best single encyclopedia of the violin for 20 years.
About this book
First published in 1972, Walter Kolneder's Das Buch der Violine quickly established itself as the standard work on the violin, dealing with every aspect of the instrument in truly encyclopedic fashion. This first English-language translation, by eminent scholar and educator Reinhard G. Pauly, is based on the fifth German edition, published in 1993. Ours is more than a translation, however. Dr. Pauly also took the opportunity to revise the text, for American and English readers particularly, and has included information on recent developments not available to the author. The book begins with an examination of the violin's construction and history. Part One offers fascinating detail on woods, glues, varnishes, shapes and dimensions, and bows and strings; Part Two traces the evolution of the instrument's form, from the violin's pre-history through the five centuries, roughly, that have elapsed since it took its present shape. Part Three is a chronological survey of the violin's musical aspects, treating performance techniques, pedagogical philosophy, and literature for the violin. Kolneder examines the various national schools for their distinguishing characteristics and shows the influence of composers (Bach and Beethoven, among others), virtuosos (Paganini, Kreisler), and teachers (including Tartini and Geminiani) upon the development of the modern violin and its music. Together the three parts form the best single volume on the violin and its music, an extraordinary encyclopedic resource for the general music-lover as well as for violinists.
This book contains a brief account of the history of Cremona violins - the rise and fall of the art that dominated over two centuries - and is primarily devoted to The physics behind the violin acoustics, specifically the research of ...
About this book
Cremona violins occupy a unique and storied place in violin history. This book contains a brief account of that history — the rise and fall of the Cremonese art of violin making that dominated over two centuries. It is primarily devoted, however, to the physics behind violin acoustics, specifically the research of William F “Jack” Fry over the past several decades. The gradual evolution of his ideas leading to a holistic approach is chronicled, in sharp contrast to the conventional “reductionist” analysis. With rare insights, he has come closer than anyone before in reproducing the tonal qualities of the great Italian masters. This historic achievement makes the book extremely valuable for violin makers and violin researchers, enabling young and aspiring violinists to own excellent sounding instruments with the acoustical marvels of the old at affordable prices.The accompanying video features Fry's demonstration of how and why minute changes in thickness graduations make predictable changes in tonal qualities of an instrument.